<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-7460945491463185220</id><updated>2011-12-06T15:32:58.216-02:00</updated><category term='Sensacionalismo'/><category term='Crescimento Profissional'/><category term='Biografia'/><category term='Campanha Política'/><category term='Revolução'/><category term='Moda'/><category term='Cotidiano'/><category term='Poder da Imprensa'/><category term='Investigação'/><category term='ética'/><category term='Opinião Pública'/><category term='Sobre o blog'/><title type='text'>Jornalismo no Cinema</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>54</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-8844583063302680024</id><published>2010-01-27T20:52:00.002-02:00</published><updated>2010-01-27T21:11:35.285-02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cotidiano'/><title type='text'>O Diabo Veste Prada (The Devil Wears Prada) EUA, 109 min</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_igi-ziK-Ez8/S2DH5trKQ2I/AAAAAAAAAgg/CADrX3zyqsc/s1600-h/the-devil-wears-prada-i01.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 200px; height: 140px;" src="http://3.bp.blogspot.com/_igi-ziK-Ez8/S2DH5trKQ2I/AAAAAAAAAgg/CADrX3zyqsc/s200/the-devil-wears-prada-i01.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5431560944935912290" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span lang="EN-US"   style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;;mso-ansi-language:EN-USfont-family:&amp;quot;;font-size:10.0pt;"&gt;Elenco: &lt;span class="Apple-style-span" style="font-weight: normal; "&gt;Meryl Streep, Anna Hathaway, Emily Blunt, &lt;st1:city st="on"&gt;&lt;st1:place st="on"&gt;Stanley&lt;/st1:place&gt;&lt;/st1:city&gt; Tucci&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"   style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;;mso-ansi-language: EN-USfont-family:&amp;quot;;font-size:10.0pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Direção: &lt;/span&gt;&lt;/b&gt;&lt;span class="apple-style-span"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;David Frankel&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="apple-style-span"&gt;&lt;b&gt;&lt;span style="font-family:Arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Ano: &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;2006&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span"  style=" ;font-family:Arial;"&gt;Filme baseado em obra homônima de Lauren Weisberg apresenta Andrea Sachs, uma jovem que conseguiu “o emprego dos sonhos de todas as garotas” como assistente de Miranda Priestly (editora-chefe) na Runaway Magazine, a mais importante revista de moda de Nova York. Logo ela percebe que este emprego não é realmente um sonho.&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-8844583063302680024?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/8844583063302680024/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=8844583063302680024' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/8844583063302680024'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/8844583063302680024'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2010/01/o-diabo-veste-prada-devil-wears-prada.html' title='O Diabo Veste Prada (The Devil Wears Prada) EUA, 109 min'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_igi-ziK-Ez8/S2DH5trKQ2I/AAAAAAAAAgg/CADrX3zyqsc/s72-c/the-devil-wears-prada-i01.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-6288515096589786432</id><published>2010-01-27T20:40:00.002-02:00</published><updated>2010-01-27T20:46:22.945-02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='ética'/><title type='text'>Jenipapo. (Idem) Co-produção Brasil/EUA, 95 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_igi-ziK-Ez8/S2DCGXkFnpI/AAAAAAAAAgY/86-y_nOpSys/s1600-h/jenipapo.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 135px; height: 200px;" src="http://1.bp.blogspot.com/_igi-ziK-Ez8/S2DCGXkFnpI/AAAAAAAAAgY/86-y_nOpSys/s200/jenipapo.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5431554565269200530" /&gt;&lt;/a&gt;&lt;p class="MsoNormal" style="margin-right:14.2pt"&gt;&lt;b style="mso-bidi-font-weight: normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family: Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Elenco:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt; Henry Czerny, Patrick Bauchau, Marília Pera, Júlia Lemmertz, Daniel Dantas&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-right:14.2pt"&gt;&lt;b style="mso-bidi-font-weight: normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family: Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Direção: &lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Monique Gardenberg&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-right:14.2pt"&gt;&lt;b style="mso-bidi-font-weight: normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family: Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Ano: &lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;1995&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-right:14.2pt"&gt;Às vésperas da votação de uma lei antrreformista agrária, o principal defensor dos sem terras, o padre Stephen Louis, resolve não mais se pronunciar à imprensa. O jornalista americano Michael Colemam tenta entrevistá-lo a qualquer custo. Obcecado depois de inúmeras tentativas frustradas, Colemam corrompe seus princípios e comete o mais grave crime jornalístico, que é o infringir a ética.&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-6288515096589786432?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/6288515096589786432/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=6288515096589786432' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/6288515096589786432'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/6288515096589786432'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2010/01/jenipapo-idem-co-producao-brasileua-95.html' title='Jenipapo. (Idem) Co-produção Brasil/EUA, 95 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_igi-ziK-Ez8/S2DCGXkFnpI/AAAAAAAAAgY/86-y_nOpSys/s72-c/jenipapo.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-4398833036444819562</id><published>2009-10-21T00:11:00.001-02:00</published><updated>2009-10-21T00:12:52.435-02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Poder da Imprensa'/><title type='text'>Cidadão Kane (Citizen Kane) EUA, 119 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_igi-ziK-Ez8/St5uGU3vF0I/AAAAAAAAAf0/Wg9pyT1kh9s/s1600-h/Cidad%C3%A3o+Kane.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 200px; height: 162px;" src="http://1.bp.blogspot.com/_igi-ziK-Ez8/St5uGU3vF0I/AAAAAAAAAf0/Wg9pyT1kh9s/s200/Cidad%C3%A3o+Kane.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5394870458597185346" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span lang="EN-US"   style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;;mso-ansi-language:EN-USfont-family:&amp;quot;;font-size:10.0pt;"&gt;Elenco:&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-US"   style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;;mso-ansi-language:EN-USfont-family:&amp;quot;;font-size:10.0pt;"&gt; Orson Welles, Joseph Cotton, Ray Collins, Paul Stewart&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Direção: &lt;/b&gt;Orson Welles&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"   style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;;mso-ansi-language:EN-USfont-family:&amp;quot;;font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style=" ;font-family:Georgia, serif;"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Ano:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt; 1941&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span"  style=" ;font-family:Arial;"&gt;Cidadão Kane é considerado um dos melhores filmes de todos os tempos, conta a história de um repórter que começa a investigar a história de Charles Foster Kane, magnata da imprensa, que ao morrer solitário em sua gigantesca mansão, murmura uma palavra: Rosebud.&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-4398833036444819562?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/4398833036444819562/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=4398833036444819562' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/4398833036444819562'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/4398833036444819562'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/10/cidadao-kane-citizen-kane-eua-119.html' title='Cidadão Kane (Citizen Kane) EUA, 119 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_igi-ziK-Ez8/St5uGU3vF0I/AAAAAAAAAf0/Wg9pyT1kh9s/s72-c/Cidad%C3%A3o+Kane.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-6894414085872964296</id><published>2009-10-21T00:08:00.001-02:00</published><updated>2009-10-21T00:11:33.036-02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Opinião Pública'/><title type='text'>Um Grito no Escuro (A Cry in the Dark) EUA, 120 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_igi-ziK-Ez8/St5tyHr8nmI/AAAAAAAAAfs/ZIeVB5eOXOY/s1600-h/A+cry+in+the+dark.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 99px; height: 181px;" src="http://1.bp.blogspot.com/_igi-ziK-Ez8/St5tyHr8nmI/AAAAAAAAAfs/ZIeVB5eOXOY/s200/A+cry+in+the+dark.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5394870111460695650" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Elenco:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt; Sam Neill, Meryl Streep, Nick Tate, Bruce Myles&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Direção:&lt;/b&gt; Fred Schepisi&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Ano:&lt;/b&gt; 1988&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span"  style=" ;font-family:Arial;"&gt;Filme mostra a manipulação feita pela opinião pública e os perigos que podem causar um prejulgamento num caso de acusação sem provas. Baseado em um caso verídico de uma mãe que perdeu o filho em um acampamento da Austrália e foi acusada pela imprensa de sumir com ele em rituais satânicos. Meryl Streep faz o papel da acusada e por esse papel, foi vencedora da Palma de Ouro de melhor atriz do Festival de Cannes de 1989&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-6894414085872964296?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/6894414085872964296/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=6894414085872964296' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/6894414085872964296'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/6894414085872964296'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/10/um-grito-no-escuro-cry-in-dark-eua-120.html' title='Um Grito no Escuro (A Cry in the Dark) EUA, 120 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_igi-ziK-Ez8/St5tyHr8nmI/AAAAAAAAAfs/ZIeVB5eOXOY/s72-c/A+cry+in+the+dark.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-2994116576491823082</id><published>2009-10-02T15:25:00.002-03:00</published><updated>2009-10-02T15:29:25.254-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Sobre o blog'/><title type='text'>Novidades</title><content type='html'>Depois de um tempo sem poder postar, volto agora pelo menos uma novidade por semana. Já que o Jornalismo no Cinema ficou abandonado pela quantidade de trabalho que tive nos últimos meses, compromissos pessoais e o dia não ter 48 horas, coloquei mais três filmes e também passei a usar os marcadores, assim fica mais fácil para quem quiser pesquisar por temas.&lt;div&gt;Já iniciei a pesquisa de filmes a partir de 2000 e tem bastante coisa. Logo, logo começo a colocar esses aqui também como algumas resenhas, daqueles filmes que foram mais significativos para mim.&lt;/div&gt;&lt;div&gt;Até o próximo post!&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-2994116576491823082?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/2994116576491823082/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=2994116576491823082' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/2994116576491823082'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/2994116576491823082'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/10/novidades.html' title='Novidades'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-9096684391356206377</id><published>2009-10-02T14:50:00.002-03:00</published><updated>2009-10-02T15:19:44.074-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Revolução'/><title type='text'>Sob Fogo Cerrado (Under Fire) EUA, 128 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_igi-ziK-Ez8/SsY9yOyoIwI/AAAAAAAAAfc/oWqnSsG8bzw/s1600-h/Under+Fire.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 99px; height: 181px;" src="http://1.bp.blogspot.com/_igi-ziK-Ez8/SsY9yOyoIwI/AAAAAAAAAfc/oWqnSsG8bzw/s200/Under+Fire.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5388061937368572674" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Elenco:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt; Nick Nolte, Joanna Cassidy, Gene Hackman, Ed Harris&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Direção:&lt;/b&gt; Roger Spottiswoode&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Ano:&lt;/b&gt; 1983&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span"  style=" ;font-family:Arial;"&gt;É um dos poucos filmes a enfrentar um dilema comum ao jornalismo: a militância política em sacrifício da notícia. Um intrépido fotógrafo renuncia a um grande furo para ajudar os sandistas na Nicarágua durante a revolução contra o ditador Anastacio Somoza. O filme põe em confronto a ética e a ideologia e deixa uma pergunta no ar: é legal um profissional omitir informação para servir a uma causa política?&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-9096684391356206377?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/9096684391356206377/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=9096684391356206377' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/9096684391356206377'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/9096684391356206377'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/10/sob-fogo-cerrado-under-fire-eua-128.html' title='Sob Fogo Cerrado (Under Fire) EUA, 128 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_igi-ziK-Ez8/SsY9yOyoIwI/AAAAAAAAAfc/oWqnSsG8bzw/s72-c/Under+Fire.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-4878705435110548639</id><published>2009-10-02T14:34:00.003-03:00</published><updated>2009-10-02T15:18:01.530-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Moda'/><title type='text'>O Encantador de Cavalos (The Horse Wispperer) EUA,</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_igi-ziK-Ez8/SsY89eWKESI/AAAAAAAAAfU/ccgwowjyn80/s1600-h/encantador.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 130px; height: 185px;" src="http://4.bp.blogspot.com/_igi-ziK-Ez8/SsY89eWKESI/AAAAAAAAAfU/ccgwowjyn80/s200/encantador.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5388061031011062050" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span lang="EN-US"   style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;;mso-ansi-language:EN-USfont-family:&amp;quot;;font-size:10.0pt;"&gt;Elenco: &lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-US"   style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;;mso-ansi-language:EN-USfont-family:&amp;quot;;font-size:10.0pt;"&gt;Robert Redford, Kristin Scott Thomas, Diane West, Sam Neill&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Direção: &lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt; mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Robert Redford&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Ano: &lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;1997&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span"  style=" ;font-family:Arial;"&gt;Jornalista de uma grande revista de moda, que sempre teve a profissão como o elemento principal da sua vida; precisa abandonar tudo, quando a filha sofre um acidente. &lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-4878705435110548639?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/4878705435110548639/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=4878705435110548639' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/4878705435110548639'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/4878705435110548639'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/10/o-encantador-de-cavalos-horse-wispperer.html' title='O Encantador de Cavalos (The Horse Wispperer) EUA,'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_igi-ziK-Ez8/SsY89eWKESI/AAAAAAAAAfU/ccgwowjyn80/s72-c/encantador.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-520669245152233748</id><published>2009-10-02T11:59:00.003-03:00</published><updated>2009-10-02T15:15:59.315-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Moda'/><title type='text'>Seis dias, sete noites (Six Days, Seven Nights) EUA, 101 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_igi-ziK-Ez8/SsYYqldV8ZI/AAAAAAAAAfM/ypi7vluKios/s1600-h/Seis+dias,+sete+noites.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 136px; height: 200px;" src="http://4.bp.blogspot.com/_igi-ziK-Ez8/SsYYqldV8ZI/AAAAAAAAAfM/ypi7vluKios/s200/Seis+dias,+sete+noites.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5388021124084134290" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span lang="EN-US"   style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;;mso-ansi-language:EN-USfont-family:&amp;quot;;font-size:10.0pt;"&gt;Elenco:&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-US"   style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;;mso-ansi-language:EN-USfont-family:&amp;quot;;font-size:10.0pt;"&gt; Harrison Ford, Anne Hache, Davis Schwimmer&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Direção:&lt;/b&gt; Ivan Reitman&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Ano:&lt;/b&gt; 1998&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span"  style=" ;font-family:Arial;"&gt;Sub-editora de uma revista de moda tem problemas no avião em que viaja para uma sessão de fotos no Tahiti e fica presa em uma ilha deserta com o piloto por alguns dias. Onde eles fogem de piratas e vivem um romance.&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-520669245152233748?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/520669245152233748/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=520669245152233748' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/520669245152233748'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/520669245152233748'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/10/seis-dias-sete-noites-six-days-seven.html' title='Seis dias, sete noites (Six Days, Seven Nights) EUA, 101 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_igi-ziK-Ez8/SsYYqldV8ZI/AAAAAAAAAfM/ypi7vluKios/s72-c/Seis+dias,+sete+noites.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-6016401737674105167</id><published>2009-05-20T20:18:00.002-03:00</published><updated>2009-10-02T15:15:49.784-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Moda'/><title type='text'>Pret-A-Porter (Idem) EUA, 132 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_igi-ziK-Ez8/ShSQDrVgV1I/AAAAAAAAAfE/az1GDGUVl9Q/s1600-h/Pret-a-porter.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 99px; height: 181px;" src="http://1.bp.blogspot.com/_igi-ziK-Ez8/ShSQDrVgV1I/AAAAAAAAAfE/az1GDGUVl9Q/s200/Pret-a-porter.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5338049851187812178" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Elenco:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt; Sophia Loren, Marcello Mastroianni, Kim Basinger, Julia Roberts&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Direção:&lt;/b&gt; Robert Altman&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Ano:&lt;/b&gt; 1994&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:12.0pt;mso-bidi- font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;O filme é sobre a semana da moda mais esperada em todo mundo, o pret-a-porter de Paris. Em lugar onde existe moda, a imprensa está presente. Com Kim Bassinger fazendo a loura-burra da tevê e entrevistando os grandes e verdadeiros astros desse meio, o repórter esportivo sendo improvisado, por uma das maiores revistas de moda, para o evento e Julia Roberts como uma editora de moda, que passa a semana toda trancada em um quarto de hotel com esse repórter e, assistindo aos desfiles pela tevê.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-6016401737674105167?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/6016401737674105167/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=6016401737674105167' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/6016401737674105167'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/6016401737674105167'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/05/pret-porter-idem-eua-132-minutos.html' title='Pret-A-Porter (Idem) EUA, 132 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_igi-ziK-Ez8/ShSQDrVgV1I/AAAAAAAAAfE/az1GDGUVl9Q/s72-c/Pret-a-porter.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-8806069696770721914</id><published>2009-05-20T20:15:00.003-03:00</published><updated>2009-10-02T15:14:53.019-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Campanha Política'/><title type='text'>A Grande Ilusão (All the King's Men) EUA, 109 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_igi-ziK-Ez8/ShSPiKx-YCI/AAAAAAAAAe8/IRzR27Vt6to/s1600-h/A+Grande+Ilus%C3%A3o.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 200px; height: 155px;" src="http://1.bp.blogspot.com/_igi-ziK-Ez8/ShSPiKx-YCI/AAAAAAAAAe8/IRzR27Vt6to/s200/A+Grande+Ilus%C3%A3o.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5338049275513167906" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span lang="EN-US"   style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;;mso-ansi-language:EN-USfont-family:&amp;quot;;font-size:10.0pt;"&gt;Elenco:&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-US"   style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;;mso-ansi-language:EN-USfont-family:&amp;quot;;font-size:10.0pt;"&gt; Broderick Crawford, John Dereck, Joanne Dru, John Ireland&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Direção:&lt;/b&gt; Robert Rossen&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Ano:&lt;/b&gt; 1949&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:12.0pt;mso-bidi- font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Jornalista começa a acompanhar a carreira de um político do interior, rotulado de o único político&lt;span style="mso-spacerun:yes"&gt;  &lt;/span&gt;honesto que se tem conhecimento. Esse político é Willie Stark, que começa a sua carreira na área como a candidato à tesoureiro até a concorrer ao governo da California.Até ele descobrir que as coisas não são sempre o que aparentam ser. O filme foi indicado para vários Oscar e ganhou o de melhor filme. A Grande Ilusõ foi adaptada para o teatro, um especial de tevê e até uma ópera.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-8806069696770721914?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/8806069696770721914/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=8806069696770721914' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/8806069696770721914'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/8806069696770721914'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/05/grande-ilusao-all-kings-men-eua-109.html' title='A Grande Ilusão (All the King&apos;s Men) EUA, 109 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_igi-ziK-Ez8/ShSPiKx-YCI/AAAAAAAAAe8/IRzR27Vt6to/s72-c/A+Grande+Ilus%C3%A3o.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-7137515384514928553</id><published>2009-04-27T21:12:00.002-03:00</published><updated>2009-10-02T15:14:44.268-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Campanha Política'/><title type='text'>Segredos do Poder (Primary Colors) EUA, 143 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_igi-ziK-Ez8/SfZKhiY0OzI/AAAAAAAAAe0/pxA7lijfO_8/s1600-h/Segredos+do+Poder.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 131px; height: 200px;" src="http://3.bp.blogspot.com/_igi-ziK-Ez8/SfZKhiY0OzI/AAAAAAAAAe0/pxA7lijfO_8/s200/Segredos+do+Poder.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5329529149066591026" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style=" ;font-family:Arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Elenco:&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style=" ;font-family:Arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; John Travolta, Emma Thompson, Billy Bob Thorton, Kathy Bates&lt;br /&gt;&lt;/span&gt; &lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Direção:&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; Mike Nichols&lt;br /&gt;&lt;/span&gt; &lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Ano:&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; 1998&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style=" ;font-family:Arial;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;O film&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;e trata mais sobre campanha política do que jornalismo. Governador de cidade do interior dos Estados Unidos está concorrendo à presidência do país. Ele tem seus casos e um passado não tão limpo, que vem à tona, quando a imprensa descobre tudo. Outro filme que traz lembranças sobre os acontecimentos do governo Clinton. Um dos pontos interessantes do filme é uma jornalista negra (uma das poucas encontradas em todos os filmes até agora catalogados) e, ela pertence a um jornal chamado de O Advogado Negro. Seu ex-namorado trabalha para esse canditato e isso é um grande conflito entre os dois, já que ele foi contra as crenças dos dois. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-US"  style="font-family:Arial;mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;mso-bidi-Times New Roman&amp;quot;;mso-ansi-language: EN-US;mso-fareast-language:PT-BR;mso-bidi-language:AR-SAfont-family:&amp;quot;;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Filme baseado no &lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;best seller&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt; Anonymous de Joe Klein.&lt;/span&gt; &lt;/span&gt;  &lt;/span&gt;&lt;/b&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-7137515384514928553?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/7137515384514928553/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=7137515384514928553' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/7137515384514928553'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/7137515384514928553'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/04/segredos-do-poder-primary-colors-eua.html' title='Segredos do Poder (Primary Colors) EUA, 143 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_igi-ziK-Ez8/SfZKhiY0OzI/AAAAAAAAAe0/pxA7lijfO_8/s72-c/Segredos+do+Poder.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-6635879392913908663</id><published>2009-04-27T21:09:00.002-03:00</published><updated>2009-10-02T15:14:06.818-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Campanha Política'/><title type='text'>Mera Coincidência (Wag the Dog) EUA, 97 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_igi-ziK-Ez8/SfZJt82zpuI/AAAAAAAAAes/evIQJ3tdeiU/s1600-h/Mera+Coincid%C3%AAncia.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 99px; height: 181px;" src="http://3.bp.blogspot.com/_igi-ziK-Ez8/SfZJt82zpuI/AAAAAAAAAes/evIQJ3tdeiU/s200/Mera+Coincid%C3%AAncia.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5329528262818506466" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Elenco:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt; Dustin Hoffman, Robert De Niro, Ane Heche, Woody Harrelson&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Direção:&lt;/b&gt; Barry Levinson&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Ano:&lt;/b&gt; 1997&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial; mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-Times New Roman&amp;quot;; mso-ansi-language:PT-BR;mso-fareast-language:PT-BR;mso-bidi-language:AR-SAfont-family:&amp;quot;;font-size:10.0pt;"&gt;Assessores do presidente dos Estados Unidos e um cineasta fazem uma encenação para cobrir o que se tornaria um grande escândalo na mídia, um caso do chefe maior da nação.&lt;span style="mso-spacerun:yes"&gt;  &lt;/span&gt;A elaboração de uma guerra e implantá-la na televisão faz qualquer um pensar em onde estaria a ética. Uma frase interessante que ilustra o que esse filme poderia ter sido é dita pela personagem de Robert De Niro, em um certo momento da história. Ao ver uma falsa notícia (e que ele sabe ser falsa) sendo transmitida pela tevê, De Niro a aceita como verdade. Quando lhe questionam o “porquê”, ele apenas responde? “É a verdade. Eu vi na TV”. O filme também tem algumas semelhanças com os acontecimentos do governo Clinton.   &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-6635879392913908663?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/6635879392913908663/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=6635879392913908663' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/6635879392913908663'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/6635879392913908663'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/04/mera-coincidencia-wag-dog-eua-97.html' title='Mera Coincidência (Wag the Dog) EUA, 97 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_igi-ziK-Ez8/SfZJt82zpuI/AAAAAAAAAes/evIQJ3tdeiU/s72-c/Mera+Coincid%C3%AAncia.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-5527283037590001755</id><published>2009-04-08T21:58:00.002-03:00</published><updated>2009-10-02T15:13:03.522-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Biografia'/><title type='text'>O Poder da Notícia (The Power of News) EUA, 107 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_igi-ziK-Ez8/Sd1JDGiyLoI/AAAAAAAAAeU/dNDIGFR3tdE/s1600-h/poder-da-noticia-poster01t.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 115px; height: 165px;" src="http://2.bp.blogspot.com/_igi-ziK-Ez8/Sd1JDGiyLoI/AAAAAAAAAeU/dNDIGFR3tdE/s200/poder-da-noticia-poster01t.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5322490652266737282" /&gt;&lt;/a&gt;&lt;p class="MsoNormal" style="margin-right:14.2pt"&gt;&lt;b style="mso-bidi-font-weight: normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family: Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Elenco:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt; Stanley Tucci&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-right:14.2pt"&gt;&lt;b style="mso-bidi-font-weight: normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family: Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Direção:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt; Stanley Tucci&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-right:14.2pt"&gt;&lt;b style="mso-bidi-font-weight: normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family: Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Ano: &lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;1997&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-right:14.2pt"&gt;&lt;span style="font-size:12.0pt; mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;O filme conta a história de Walter Winchell, que na década de 30 foi um dos jornalistas mais influentes e poderosos dos Estados Unidos. Mais de 55 milhões de pessoas ouviam seu programa semanal de rádio ou liam sua coluna diária. Buscando uma nova forma de atingir o público comum, ele resolveu informar seus ouvintes e leitores sobre os segredos dos ricos e famosos, explorando a vida particular de pessoas públicas, sem se importar com as conseqüências. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-5527283037590001755?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/5527283037590001755/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=5527283037590001755' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/5527283037590001755'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/5527283037590001755'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/04/o-poder-da-noticia-power-of-news-eua.html' title='O Poder da Notícia (The Power of News) EUA, 107 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_igi-ziK-Ez8/Sd1JDGiyLoI/AAAAAAAAAeU/dNDIGFR3tdE/s72-c/poder-da-noticia-poster01t.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-7132892594569961001</id><published>2009-04-08T21:56:00.003-03:00</published><updated>2009-10-02T15:12:55.165-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Biografia'/><title type='text'>A Testemunha Ocular (The Public Eye) EUA, 98 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_igi-ziK-Ez8/Sd1IMCqebLI/AAAAAAAAAeM/JTJtkZfhWec/s1600-h/Public+Eye"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 121px; height: 165px;" src="http://2.bp.blogspot.com/_igi-ziK-Ez8/Sd1IMCqebLI/AAAAAAAAAeM/JTJtkZfhWec/s200/Public+Eye" border="0" alt="" id="BLOGGER_PHOTO_ID_5322489706332449970" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Elenco:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt; Joe Pesci, Babara Hershey&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Direção:&lt;/b&gt; Howard Franklin&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Ano:&lt;/b&gt; 1992&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:12.0pt;mso-bidi- font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Relação entre polícia e jornalismo durante os anos 40. Um fotógrafo está sempre entre os dois terrenos e termina metendo-se em uma briga de gangues. Ao descobrir um assassinato cometido por um ganster e por chegar na cena do crime antes da polícia, acaba sendo acusado do crime. O filme foi baseado na vida do fotógrafo free lancer, Weegee, que trabalhava no New York Daily News, um tablóide da década de 40. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-7132892594569961001?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/7132892594569961001/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=7132892594569961001' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/7132892594569961001'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/7132892594569961001'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/04/testemunha-ocular-public-eye-eua-98.html' title='A Testemunha Ocular (The Public Eye) EUA, 98 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_igi-ziK-Ez8/Sd1IMCqebLI/AAAAAAAAAeM/JTJtkZfhWec/s72-c/Public+Eye' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-1863015602788942330</id><published>2009-04-03T21:36:00.003-03:00</published><updated>2009-10-02T15:12:46.502-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Biografia'/><title type='text'>Reds (Idem) EUA, 200 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_igi-ziK-Ez8/SdarteiOSKI/AAAAAAAAAeE/qwTzj3lv57k/s1600-h/Reds.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 99px; height: 181px;" src="http://4.bp.blogspot.com/_igi-ziK-Ez8/SdarteiOSKI/AAAAAAAAAeE/qwTzj3lv57k/s200/Reds.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5320628807563888802" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span lang="EN-US"   style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;;mso-ansi-language:EN-USfont-family:&amp;quot;;font-size:10.0pt;"&gt;Elenco:&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-US"   style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;;mso-ansi-language:EN-USfont-family:&amp;quot;;font-size:10.0pt;"&gt; Warren Beatty, Diane Keaton, Jack Nicholson, Edward Herrmann&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Direção:&lt;/b&gt; &lt;st1:city st="on"&gt;&lt;st1:place st="on"&gt;Warren&lt;/st1:place&gt;&lt;/st1:city&gt; Beatty&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Ano:&lt;/b&gt; 1981&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:12.0pt;mso-bidi- font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;História sobre o jornalista estadunidense que cobriu a Revolução Russa de 1917 e escreveu o livro “Dez dias que abalaram o mundo”. Ele era jornalista e militava ao mesmo tempo, tornando-se amigo pessoal de líderes bolcheviques.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-1863015602788942330?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/1863015602788942330/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=1863015602788942330' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/1863015602788942330'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/1863015602788942330'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/04/reds-idem-eua-200-minutos.html' title='Reds (Idem) EUA, 200 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_igi-ziK-Ez8/SdarteiOSKI/AAAAAAAAAeE/qwTzj3lv57k/s72-c/Reds.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-3762581176258871692</id><published>2009-04-03T21:32:00.002-03:00</published><updated>2009-10-02T15:12:39.813-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Biografia'/><title type='text'>A Difícil Arte de Amar (Heartburn) EUA, 109 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_igi-ziK-Ez8/Sdaq_4DKaiI/AAAAAAAAAd8/JR0Lu_w-rSY/s1600-h/A+Dif%C3%ADcil+Arte+de+Amar.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 99px; height: 181px;" src="http://2.bp.blogspot.com/_igi-ziK-Ez8/Sdaq_4DKaiI/AAAAAAAAAd8/JR0Lu_w-rSY/s200/A+Dif%C3%ADcil+Arte+de+Amar.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5320628024138951202" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span lang="EN-US"   style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;;mso-ansi-language:EN-USfont-family:&amp;quot;;font-size:10.0pt;"&gt;Elenco:&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-US"   style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;;mso-ansi-language:EN-USfont-family:&amp;quot;;font-size:10.0pt;"&gt; Jack Nicholson, Meryl Streep, Jeff Daniels, Stockard Channing&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Direção:&lt;/b&gt; Mike Nichols&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Ano:&lt;/b&gt; 1986&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial; mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-Times New Roman&amp;quot;; mso-ansi-language:PT-BR;mso-fareast-language:PT-BR;mso-bidi-language:AR-SAfont-family:&amp;quot;;font-size:10.0pt;"&gt;Filme que mostra a vida particular de Carl Bernstein, baseado no depoimento de Nora Ephron, jornalista abandona a mulher grávida. Bernstein é um dos jornalistas do Washington Post que investigaram o caso Watergate. A personagem de Meryl Steep, a mulher abandonada, também é jornalista; sua especialidade é crítica de restaurantes e desiste da sua carreira para seguir aquele que depois a largou.   &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-3762581176258871692?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/3762581176258871692/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=3762581176258871692' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/3762581176258871692'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/3762581176258871692'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/04/dificil-arte-de-amar-heartburn-eua-109.html' title='A Difícil Arte de Amar (Heartburn) EUA, 109 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_igi-ziK-Ez8/Sdaq_4DKaiI/AAAAAAAAAd8/JR0Lu_w-rSY/s72-c/A+Dif%C3%ADcil+Arte+de+Amar.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-3349039795038145070</id><published>2009-04-03T21:27:00.002-03:00</published><updated>2009-10-02T15:12:32.588-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Biografia'/><title type='text'>Íntimo e Pessoal (Up Close &amp; Personal) EUA, 124 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_igi-ziK-Ez8/SdaqmV_XbGI/AAAAAAAAAd0/vmXqojiau0E/s1600-h/%C3%8Dntimo+e+Pessoal.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 99px; height: 181px;" src="http://1.bp.blogspot.com/_igi-ziK-Ez8/SdaqmV_XbGI/AAAAAAAAAd0/vmXqojiau0E/s200/%C3%8Dntimo+e+Pessoal.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5320627585499491426" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Elenco:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt; Robert Redford, Michelle Pfeiffer, Stockard Channing, Joe Mantegna&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Direção:&lt;/b&gt; Jon Avnet&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Ano:&lt;/b&gt; 1996&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial; mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-Times New Roman&amp;quot;; mso-ansi-language:PT-BR;mso-fareast-language:PT-BR;mso-bidi-language:AR-SAfont-family:&amp;quot;;font-size:10.0pt;"&gt;Uma jovem sonha em tornar-se uma estrela do telejornalismo. Em seu primeiro emprego conhece aquele que será seu mentor e companheiro. Princípios e ética jornalística são dois dos elementos principais do enredo. O filme é inspirado no livro &lt;i style="mso-bidi-font-style:normal"&gt;Golden Gilr&lt;/i&gt;, de Alanna Nash, sobre a falecida jornalista Jessica Savitch, ganhadora de um prêmio Pulitzer.   &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-3349039795038145070?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/3349039795038145070/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=3349039795038145070' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/3349039795038145070'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/3349039795038145070'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/04/intimo-e-pessoal-up-close-personal-eua.html' title='Íntimo e Pessoal (Up Close &amp; Personal) EUA, 124 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_igi-ziK-Ez8/SdaqmV_XbGI/AAAAAAAAAd0/vmXqojiau0E/s72-c/%C3%8Dntimo+e+Pessoal.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-5112939224253050997</id><published>2009-03-25T15:09:00.002-03:00</published><updated>2009-10-02T15:12:11.899-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Biografia'/><title type='text'>O Povo Contra Larry Flynt (The People Vs. Larry Flynt) EUA, 129 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_igi-ziK-Ez8/Scp0kWs247I/AAAAAAAAAds/7lUpeNPhDwQ/s1600-h/O+povo+contra+Larry+Flynt.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 99px; height: 181px;" src="http://4.bp.blogspot.com/_igi-ziK-Ez8/Scp0kWs247I/AAAAAAAAAds/7lUpeNPhDwQ/s200/O+povo+contra+Larry+Flynt.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5317190477982131122" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span lang="EN-US"   style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;;mso-ansi-language:EN-USfont-family:&amp;quot;;font-size:10.0pt;"&gt;Elenco:&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-US"   style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;;mso-ansi-language:EN-USfont-family:&amp;quot;;font-size:10.0pt;"&gt; Coutney Love, Edward Norton, Woody Harrelson, James Cromwell&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Direção:&lt;/b&gt; Milos Forman&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Ano:&lt;/b&gt; 1996&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial; mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-Times New Roman&amp;quot;; mso-ansi-language:PT-BR;mso-fareast-language:PT-BR;mso-bidi-language:AR-SAfont-family:&amp;quot;;font-size:10.0pt;"&gt;Milos Forman dirige a biografia do criador de uma das revistas pornográficas mais consumidas nos Estados Unidos, a Hultler. A vida de Larry Flynt é mostrada desde sua infância (em alguns rápidos momentos), até as prisões e a luta contra a censura. Uma de suas prisões foi em um hospital psiquiátrico, durante 15 meses, por insulto no tribunal. A paixão de Flynt por sua falecida mulher também é exposta, junto ao mundo das drogas. Hoje, Larry Flynt possui vinte e nove revistas.   &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-5112939224253050997?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/5112939224253050997/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=5112939224253050997' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/5112939224253050997'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/5112939224253050997'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/03/o-povo-contra-larry-flynt-people-vs.html' title='O Povo Contra Larry Flynt (The People Vs. Larry Flynt) EUA, 129 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_igi-ziK-Ez8/Scp0kWs247I/AAAAAAAAAds/7lUpeNPhDwQ/s72-c/O+povo+contra+Larry+Flynt.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-4630653086584055026</id><published>2009-03-25T15:04:00.002-03:00</published><updated>2009-10-02T15:10:53.214-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Crescimento Profissional'/><title type='text'>Pânico (Scream) EUA, 110 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_igi-ziK-Ez8/ScpzCNFHY9I/AAAAAAAAAdk/Eguhy3Ca64Y/s1600-h/P%C3%A2nico1.gif"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 108px; height: 200px;" src="http://4.bp.blogspot.com/_igi-ziK-Ez8/ScpzCNFHY9I/AAAAAAAAAdk/Eguhy3Ca64Y/s200/P%C3%A2nico1.gif" border="0" alt="" id="BLOGGER_PHOTO_ID_5317188791772341202" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Elenco:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt; Neve Campbell, Couteney Cox, David Arquette, Skeet Ulrich&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Direção:&lt;/b&gt; Wes Craven&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Ano:&lt;/b&gt; 1996&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Continuação: &lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt; mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Pânico 2 e Pânico 3&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial; mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-Times New Roman&amp;quot;; mso-ansi-language:PT-BR;mso-fareast-language:PT-BR;mso-bidi-language:AR-SAfont-family:&amp;quot;;font-size:10.0pt;"&gt;Filme de terror para adolescentes e com adolescentes e uma jornalista que tem necessidade de ser famosa correndo contra a morte. Ela ainda escreve um livro sobre um assassinato que aconteceu na cidadezinha onde se passa a história, que se torna a fonte inspiradora para os assassinatos que acontecem nas continuações do filme.   &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-4630653086584055026?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/4630653086584055026/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=4630653086584055026' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/4630653086584055026'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/4630653086584055026'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/03/panico-scream-eua-110-minutos.html' title='Pânico (Scream) EUA, 110 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_igi-ziK-Ez8/ScpzCNFHY9I/AAAAAAAAAdk/Eguhy3Ca64Y/s72-c/P%C3%A2nico1.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-8666957683342581712</id><published>2009-03-11T20:28:00.002-03:00</published><updated>2009-10-02T15:10:44.897-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Crescimento Profissional'/><title type='text'>Um Sonho sem Limites (To Die For) EUA, 103 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_igi-ziK-Ez8/SbhJqatOARI/AAAAAAAAAdc/xQ_z8Xv1bZg/s1600-h/Um+Sonho+sem+Limites.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 99px; height: 181px;" src="http://2.bp.blogspot.com/_igi-ziK-Ez8/SbhJqatOARI/AAAAAAAAAdc/xQ_z8Xv1bZg/s200/Um+Sonho+sem+Limites.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5312076753555816722" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Elenco:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt; Nicole Kidman, Illeana Douglas, Matt Dillon, Joaquin Phoenix&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Direção:&lt;/b&gt; Gus Van Sant&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Ano:&lt;/b&gt; 1995&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:12.0pt;mso-bidi- font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Garota do tempo, de uma emissora de tevê de cidadezinha do interior, faz de tudo para entrar no ramo do jornalismo e se tornar uma celebridade do meio. Um jogo que traz a sedução e morte como principais elementos para se conseguir o que realmente deseja.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-8666957683342581712?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/8666957683342581712/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=8666957683342581712' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/8666957683342581712'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/8666957683342581712'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/03/um-sonho-sem-limites-to-die-for-eua-103.html' title='Um Sonho sem Limites (To Die For) EUA, 103 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_igi-ziK-Ez8/SbhJqatOARI/AAAAAAAAAdc/xQ_z8Xv1bZg/s72-c/Um+Sonho+sem+Limites.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-200334317642029508</id><published>2009-03-11T20:24:00.002-03:00</published><updated>2009-10-02T15:10:00.990-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Sensacionalismo'/><title type='text'>A Doce Vida (La Dolce Vita) Itália, 175 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_igi-ziK-Ez8/SbhI8DzzV1I/AAAAAAAAAdU/GBEuPu7C0no/s1600-h/doce+vida"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 130px; height: 173px;" src="http://2.bp.blogspot.com/_igi-ziK-Ez8/SbhI8DzzV1I/AAAAAAAAAdU/GBEuPu7C0no/s200/doce+vida" border="0" alt="" id="BLOGGER_PHOTO_ID_5312075957135431506" /&gt;&lt;/a&gt;&lt;p class="MsoNormal" style="margin-right:14.2pt"&gt;&lt;b style="mso-bidi-font-weight: normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family: Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Elenco:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt; Marcello Mastroianni, Anita Ekberg e Anahicuny.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-right:14.2pt"&gt;&lt;b style="mso-bidi-font-weight: normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family: Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Direção:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt; Federico Fellini&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-right:14.2pt"&gt;&lt;b style="mso-bidi-font-weight: normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family: Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Ano: &lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;1960&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-right:14.2pt"&gt;&lt;span style="font-size:12.0pt; mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Fellini faz uma viagem ao mundo da superficialidade e das falsas emoções que caracterizam a alta sociedade de Roma, freqüentadora de restaurantes e mansões badaladas da cidade.&lt;span style="mso-spacerun:yes"&gt;  &lt;/span&gt;As personalidades da noite são presenciadas por um jornalista, espécie de colunista social da decadente aristocracia, depois da Segunda Guerra Mundial. "&lt;st1:personname productid="La Dolce Vita" st="on"&gt;La Dolce Vita&lt;/st1:personname&gt;" ganhou a Palma de Ouro em Cannes e o Oscar de melhor figurino, além de ter sido o responsável pela consagração definitiva de Federico Fellini. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-200334317642029508?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/200334317642029508/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=200334317642029508' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/200334317642029508'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/200334317642029508'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/03/doce-vida-la-dolce-vita-italia-175.html' title='A Doce Vida (La Dolce Vita) Itália, 175 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_igi-ziK-Ez8/SbhI8DzzV1I/AAAAAAAAAdU/GBEuPu7C0no/s72-c/doce+vida' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-403959808690914103</id><published>2009-03-02T22:22:00.003-03:00</published><updated>2009-10-02T15:09:44.252-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Sensacionalismo'/><title type='text'>Rede de Intrigas (Network) EUA, 121 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_igi-ziK-Ez8/SayGa2C9M3I/AAAAAAAAAdM/_niOlD7qogg/s1600-h/Rede+de+Intrigas.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 99px; height: 181px;" src="http://3.bp.blogspot.com/_igi-ziK-Ez8/SayGa2C9M3I/AAAAAAAAAdM/_niOlD7qogg/s200/Rede+de+Intrigas.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5308765856505607026" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Elenco:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt; Faye Dunaway, Willian Holden, Peter Finch, Robert Duvall&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Direção:&lt;/b&gt; Sidney Lumet&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Ano:&lt;/b&gt; 1976&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:12.0pt;mso-bidi- font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Lumet mostra a televisão como uma fábrica de notícias e manipulação da sociedade. A questão principal é a loucura. Quando um comentariata diz que vai se matar em frente as câmeras e começa a dizer coisas nunca ditas; será que ele está só falado verdade ou não, na tevê? Ele é louco ou seus chefes não querem dizer muitas coisas à sociedade? Filme grande vencedor do Oscar de 76: prêmio de melhor roteiro para Paddy Chayefsky, melhor atriz para Faye Dunaway, Peter Finch como melhor ator e Beatrice Straight para melhor atriz coadjuvante.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-403959808690914103?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/403959808690914103/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=403959808690914103' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/403959808690914103'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/403959808690914103'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/03/rede-de-intrigas-network-eua-121.html' title='Rede de Intrigas (Network) EUA, 121 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_igi-ziK-Ez8/SayGa2C9M3I/AAAAAAAAAdM/_niOlD7qogg/s72-c/Rede+de+Intrigas.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-3696742464504095379</id><published>2009-03-02T22:19:00.004-03:00</published><updated>2009-10-02T15:09:34.487-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Sensacionalismo'/><title type='text'>A Primeira Página (The Front Page) EUA, 105 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_igi-ziK-Ez8/SayGKJ7QaOI/AAAAAAAAAdE/Msus3NcMg1s/s1600-h/A+Primeira+P%C3%A1gina.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 99px; height: 181px;" src="http://3.bp.blogspot.com/_igi-ziK-Ez8/SayGKJ7QaOI/AAAAAAAAAdE/Msus3NcMg1s/s200/A+Primeira+P%C3%A1gina.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5308765569784244450" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Elenco:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt; Jack Lemmon, Walter Matthau, Carol Burnet, Susan Sarandon&lt;span class="Apple-style-span"  style=" ;font-family:Georgia;"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style=" ;font-family:Georgia;"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Direção:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt; Billy Wilder&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt; &lt;b style="mso-bidi-font-weight:normal"&gt;Ano:&lt;/b&gt; 1974&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial; mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-Times New Roman&amp;quot;; mso-ansi-language:PT-BR;mso-fareast-language:PT-BR;mso-bidi-language:AR-SAfont-family:&amp;quot;;font-size:10.0pt;"&gt;Obra que retrata a realidade do jornalismo sensacionalista. Ben Hecht, um projeto de dramaturgo, começa escrevendo para um jornal hostórias de processos que ninguém nunca viu, envolvendo pessoas e cidadezinhas que não existem, como se fosse uma verdade absoluta. Esse filme é a terceira versão de uma peça da Broadway, de 1928; mas é o primeiro a ter autorização de ser uma cópia exata do teatro. A última adaptação da peça The Front Page foi feita em 1988, o filme é Troca de Maridos.   &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-3696742464504095379?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/3696742464504095379/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=3696742464504095379' title='2 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/3696742464504095379'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/3696742464504095379'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/03/primeira-pagina-front-page-eua-105.html' title='A Primeira Página (The Front Page) EUA, 105 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_igi-ziK-Ez8/SayGKJ7QaOI/AAAAAAAAAdE/Msus3NcMg1s/s72-c/A+Primeira+P%C3%A1gina.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-6285192067815666056</id><published>2009-02-10T20:55:00.002-02:00</published><updated>2009-10-02T15:09:24.557-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Sensacionalismo'/><title type='text'>A Montanha dos Sete Abutres (Ace in the Hole) EUA, 111 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_igi-ziK-Ez8/SZIGLdXdG4I/AAAAAAAAAc8/afUHldqQZpk/s1600-h/A+Montanha+dos+Sete+Abutres.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 86px; height: 123px;" src="http://3.bp.blogspot.com/_igi-ziK-Ez8/SZIGLdXdG4I/AAAAAAAAAc8/afUHldqQZpk/s200/A+Montanha+dos+Sete+Abutres.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5301306505299827586" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span lang="EN-US"   style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;;mso-ansi-language:EN-USfont-family:&amp;quot;;font-size:10.0pt;"&gt;Elenco:&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-US"   style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;;mso-ansi-language:EN-USfont-family:&amp;quot;;font-size:10.0pt;"&gt; Kirk Douglas, Jan Sterling, Robert Arthur, Porter Hall&lt;span class="Apple-style-span"  style=" ;font-family:Georgia;"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"   style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;;mso-ansi-language:EN-USfont-family:&amp;quot;;font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style=" ;font-family:Georgia;"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Direção:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt; Billy Wilder&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt; &lt;b style="mso-bidi-font-weight:normal"&gt;Ano:&lt;/b&gt; 1951&lt;b style="mso-bidi-font-weight: normal"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span"  style=" ;font-family:Arial;"&gt;Crítica à imprensa sensacionalista (imprensa marrom). Em uma cidade pequena, um repórter inescrupuloso aproveita-se de um acidente para forjar uma tragédia e conseguir voltar ao topo em sua carreira. Para que isso aconteça, ele manipula toda a imprensa, população e polícia local.&lt;/span&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-6285192067815666056?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/6285192067815666056/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=6285192067815666056' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/6285192067815666056'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/6285192067815666056'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/02/montanha-dos-sete-abutres-ace-in-hole.html' title='A Montanha dos Sete Abutres (Ace in the Hole) EUA, 111 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_igi-ziK-Ez8/SZIGLdXdG4I/AAAAAAAAAc8/afUHldqQZpk/s72-c/A+Montanha+dos+Sete+Abutres.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-670628035121068836</id><published>2009-02-10T20:51:00.004-02:00</published><updated>2009-10-02T15:09:18.225-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Sensacionalismo'/><title type='text'>A Fogueira das Vaidades (The Bonfire of the Vanities) EUA, 126 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_igi-ziK-Ez8/SZIF7N_RfOI/AAAAAAAAAc0/KTv-tiLgEms/s1600-h/A+Fogueira+das+Vaidades.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 99px; height: 181px;" src="http://2.bp.blogspot.com/_igi-ziK-Ez8/SZIF7N_RfOI/AAAAAAAAAc0/KTv-tiLgEms/s200/A+Fogueira+das+Vaidades.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5301306226293964002" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Elenco:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt; Tom Hanks, Bruce Willis, Morgan Freeman, Melanie Griffith&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Direção:&lt;/b&gt; Brian De Palma&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Ano:&lt;/b&gt; 1990&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span"  style=" ;font-family:Arial;"&gt;Adaptação do romance de Tom Wolfe, um dos criadores do “novo jornalismo”. No romance, um jornalista inglês cínico e beberrão, destaca-se como o personagem forte, no filme ele é o narrador da história de um executivo que atropela um garoto negro e conhece o mundo real, for a de Wall Street.&lt;/span&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-670628035121068836?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/670628035121068836/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=670628035121068836' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/670628035121068836'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/670628035121068836'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/02/fogueira-das-vaidades-bonfire-of.html' title='A Fogueira das Vaidades (The Bonfire of the Vanities) EUA, 126 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_igi-ziK-Ez8/SZIF7N_RfOI/AAAAAAAAAc0/KTv-tiLgEms/s72-c/A+Fogueira+das+Vaidades.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-2298807000160504212</id><published>2009-02-05T20:54:00.002-02:00</published><updated>2009-10-02T15:08:19.446-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Sensacionalismo'/><title type='text'>O Quarto Poder (Mad City) EUA, 114 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_igi-ziK-Ez8/SYtubkN6POI/AAAAAAAAAcM/Dm2gpeFLlIk/s1600-h/O+Quarto+Poder.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 99px; height: 181px;" src="http://2.bp.blogspot.com/_igi-ziK-Ez8/SYtubkN6POI/AAAAAAAAAcM/Dm2gpeFLlIk/s200/O+Quarto+Poder.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5299450806389062882" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Elenco:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt; John Travolta, Dustin Hoffman, Alan Alda, Robert Prosky&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Direção:&lt;/b&gt; Costa-Gravas&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Ano:&lt;/b&gt; 1997&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:12.0pt;mso-bidi- font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Filme baseado &lt;st1:personname productid="em A Montanha" st="on"&gt;em A Montanha&lt;/st1:personname&gt; dos Sete Abutres. Jornalista está fazendo uma matéria sobre um museu e acaba surpreendido por um seqüestro no local. Um caso que a polícia poderia resolver em algumas horas o jornalista transformou em um drama de uma semana, com a manipulação do seqüestrador e da opinião pública.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-2298807000160504212?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/2298807000160504212/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=2298807000160504212' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/2298807000160504212'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/2298807000160504212'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/02/o-quarto-poder-mad-city-eua-114-minutos.html' title='O Quarto Poder (Mad City) EUA, 114 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_igi-ziK-Ez8/SYtubkN6POI/AAAAAAAAAcM/Dm2gpeFLlIk/s72-c/O+Quarto+Poder.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-8672868976591608473</id><published>2009-02-05T20:52:00.002-02:00</published><updated>2009-10-02T15:08:09.443-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Sensacionalismo'/><title type='text'>O Jornal (The Paper) EUA, 110 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_igi-ziK-Ez8/SYtuA02Bj8I/AAAAAAAAAcE/tkR2HI1k6yQ/s1600-h/O+Jornal.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 99px; height: 181px;" src="http://2.bp.blogspot.com/_igi-ziK-Ez8/SYtuA02Bj8I/AAAAAAAAAcE/tkR2HI1k6yQ/s200/O+Jornal.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5299450346995814338" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Elenco:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt; Michael Keaton, Marisa Tomei, Robert Duvall, Glenn Close&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Direção:&lt;/b&gt; Ron Howard&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Ano:&lt;/b&gt; 1994&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span"  style=" ;font-family:Arial;"&gt;Vinte e quatro horas na redação de um tablóide sensacionalista de Nova York. É um dos filmes que trata com maior veracidade o jornalismo atual e o pique de uma redação.&lt;/span&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-8672868976591608473?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/8672868976591608473/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=8672868976591608473' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/8672868976591608473'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/8672868976591608473'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/02/o-jornal-paper-eua-110-minutos.html' title='O Jornal (The Paper) EUA, 110 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_igi-ziK-Ez8/SYtuA02Bj8I/AAAAAAAAAcE/tkR2HI1k6yQ/s72-c/O+Jornal.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-6331541653443961908</id><published>2009-02-02T23:15:00.002-02:00</published><updated>2009-10-02T15:07:56.430-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Sensacionalismo'/><title type='text'>Troca de Maridos (Switching Channels) EUA, 108 minutos</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_igi-ziK-Ez8/SYebWEmHN1I/AAAAAAAAAb8/794NpZNpF0Y/s1600-h/poster_13962.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5298374290117703506" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 121px; CURSOR: hand; HEIGHT: 165px" alt="" src="http://1.bp.blogspot.com/_igi-ziK-Ez8/SYebWEmHN1I/AAAAAAAAAb8/794NpZNpF0Y/s200/poster_13962.jpg" border="0" /&gt;&lt;/a&gt; &lt;div&gt;Elenco: Kathleen Turner, Burt Reynolds, Christopher Reeve, Ned Beatty&lt;/div&gt;&lt;div&gt;Direção: Ted Kotcheff&lt;/div&gt;&lt;div&gt;Ano: 1988&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;Filme com vaga inspiração em A Primeira Página, essa comédia mostra um pouco do clichê do jornalismo sensacionalista. Obra que mostra o mundo televisivo de notícias, onde uma bonita e ambiciosa âncora planeja casar com um milionário, enquanto seu ex-marido quer o seu emprego.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-6331541653443961908?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/6331541653443961908/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=6331541653443961908' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/6331541653443961908'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/6331541653443961908'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/02/troca-de-maridos-switching-channels-eua.html' title='Troca de Maridos (Switching Channels) EUA, 108 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_igi-ziK-Ez8/SYebWEmHN1I/AAAAAAAAAb8/794NpZNpF0Y/s72-c/poster_13962.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-1851678618065992171</id><published>2009-02-02T23:10:00.003-02:00</published><updated>2009-10-02T15:07:45.892-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Sensacionalismo'/><title type='text'>O Beijo no Asfalto (Idem) Brasil, 80 minutos</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_igi-ziK-Ez8/SYeamfS1shI/AAAAAAAAAb0/zmqpnn9Rq9E/s1600-h/beijo-no-asfalto05.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5298373472650899986" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 200px; CURSOR: hand; HEIGHT: 132px" alt="" src="http://4.bp.blogspot.com/_igi-ziK-Ez8/SYeamfS1shI/AAAAAAAAAb0/zmqpnn9Rq9E/s200/beijo-no-asfalto05.jpg" border="0" /&gt;&lt;/a&gt; &lt;div&gt;Elenco: Tarcísio Meira, Ney Latorraca, Lídia Brondi, Christiane Torloni&lt;br /&gt;Diretor: Bruno Barreto&lt;br /&gt;Ano: 1981&lt;br /&gt;&lt;br /&gt;Um homem é atropelado e cai no asfalto, enquanto outro debruça-se sobre o agonizante e lhe dá um beijo na boca. O beijo vira escândalo e manchete de jornais sensacionalistas. As repressões sociais, a moral hipócrita, os bloqueios sexuais fazem parte dessa trama. O filme foi baseado no clássico " O Beijo no Asfalto" de Nelson Rodrigues. &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-1851678618065992171?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/1851678618065992171/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=1851678618065992171' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/1851678618065992171'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/1851678618065992171'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/02/o-beijo-no-asfalto-idem-brasil-80.html' title='O Beijo no Asfalto (Idem) Brasil, 80 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_igi-ziK-Ez8/SYeamfS1shI/AAAAAAAAAb0/zmqpnn9Rq9E/s72-c/beijo-no-asfalto05.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-8965150308701088883</id><published>2009-01-29T20:54:00.002-02:00</published><updated>2009-10-02T15:07:14.734-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Investigação'/><title type='text'>O Ano em que Vivemos em Perigo (The Year of Living Dangerously) Austrália, 120 minutos</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_igi-ziK-Ez8/SYIz23bNxxI/AAAAAAAAAbs/Lri9ZovlcMs/s1600-h/O+Ano+em+que+Vivemos+em+Perigo.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5296853129425176338" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 86px; CURSOR: hand; HEIGHT: 150px" alt="" src="http://1.bp.blogspot.com/_igi-ziK-Ez8/SYIz23bNxxI/AAAAAAAAAbs/Lri9ZovlcMs/s200/O+Ano+em+que+Vivemos+em+Perigo.jpg" border="0" /&gt;&lt;/a&gt;Elenco: Mel Gibson, Sigourney Weaver e Linda Hunt.&lt;br /&gt;Direção: Peter Weir&lt;br /&gt;Ano: 1983&lt;br /&gt;&lt;br /&gt;O filme conta a história do correspondente estrangeiro, Hamilton Guy, em sua primeira missão no exterior: Jacarta, Indonésia. O repórter é auxiliado por um cameraman asiático que possui conexões com as altas esferas do poder político. Hamilton, por intermédio do cameraman, consegue chegar até os rebeldes e conhece a dura realidade de Jacarta. O repórter presencia a revolução que derrubou o ditador Sukarno. O filme foi baseado no romance de C.J.Koch.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-8965150308701088883?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/8965150308701088883/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=8965150308701088883' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/8965150308701088883'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/8965150308701088883'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/01/o-ano-em-que-vivemos-em-perigo-year-of.html' title='O Ano em que Vivemos em Perigo (The Year of Living Dangerously) Austrália, 120 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_igi-ziK-Ez8/SYIz23bNxxI/AAAAAAAAAbs/Lri9ZovlcMs/s72-c/O+Ano+em+que+Vivemos+em+Perigo.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-9105005957440921152</id><published>2009-01-29T20:53:00.003-02:00</published><updated>2009-10-02T15:05:25.544-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Investigação'/><title type='text'>Os Gritos do Silêncio (The Killing Fields) Inglaterra, 150 minutos</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_igi-ziK-Ez8/SYIznOajXnI/AAAAAAAAAbk/E7YYMNLqQ4c/s1600-h/Os+Gritos+do+Sil%C3%AAncio.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5296852860718505586" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 86px; CURSOR: hand; HEIGHT: 134px" alt="" src="http://4.bp.blogspot.com/_igi-ziK-Ez8/SYIznOajXnI/AAAAAAAAAbk/E7YYMNLqQ4c/s200/Os+Gritos+do+Sil%C3%AAncio.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;Elenco: Sam Waterston e Haing S. Ngor.&lt;br /&gt;Direção: Rolando Joffe&lt;br /&gt;Ano: 1984&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;O filme reconstitui a guerra existente em Comboja, Vietnã, no começo da década de 70. É a história de um jornalista em busca da verdade a qualquer custo. O filme foi baseado no livro "A vida e a morte de Dith Pran", escrito pelo jornalista Sydney Schamberg, quando este era correspondente do jornal New York Times no Comboja. O filme ganhou três oscars e oito prêmios da academia britânica de filmes. &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-9105005957440921152?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/9105005957440921152/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=9105005957440921152' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/9105005957440921152'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/9105005957440921152'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/01/os-gritos-do-silencio-killing-fields.html' title='Os Gritos do Silêncio (The Killing Fields) Inglaterra, 150 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_igi-ziK-Ez8/SYIznOajXnI/AAAAAAAAAbk/E7YYMNLqQ4c/s72-c/Os+Gritos+do+Sil%C3%AAncio.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-3305664258825736937</id><published>2009-01-26T20:43:00.002-02:00</published><updated>2009-10-02T15:05:17.459-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Investigação'/><title type='text'>Um Grito de Liberdade (Cry Freedom) Inglaterra151 minutos</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_igi-ziK-Ez8/SX49Pg4A_nI/AAAAAAAAAbc/2Hnk211Edio/s1600-h/Grito.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5295737548566494834" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 140px; CURSOR: hand; HEIGHT: 200px" alt="" src="http://3.bp.blogspot.com/_igi-ziK-Ez8/SX49Pg4A_nI/AAAAAAAAAbc/2Hnk211Edio/s200/Grito.jpg" border="0" /&gt;&lt;/a&gt; &lt;div&gt;Elenco: Denzel Washington, Kevin Kline e Penelope Wilton&lt;br /&gt;Direção: Richard Attenborough&lt;br /&gt;Ano: 1987&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;A tensão e o terror existentes na África do Sul, na época do apartheid são retratados em "Um Grito de Liberdade". O filme conta a história do ativista negro Stephen Biko e do jornalista Donald Woods, diretor branco de um jornal liberal, que arrisca a sua vida para mostrar a história de Biko para o mundo. Woods percebe lentamente os verdadeiros horrores do apartheid através dos olhos de Biko, que é preso e silenciado pelas autoridades sul- africanas. O filme é baseado nos livros escritos por Woods "Biko" e "Asking for Trouble"&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-3305664258825736937?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/3305664258825736937/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=3305664258825736937' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/3305664258825736937'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/3305664258825736937'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/01/um-grito-de-liberdade-cry-freedom.html' title='Um Grito de Liberdade (Cry Freedom) Inglaterra151 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_igi-ziK-Ez8/SX49Pg4A_nI/AAAAAAAAAbc/2Hnk211Edio/s72-c/Grito.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-5413419322333524581</id><published>2009-01-26T20:41:00.002-02:00</published><updated>2009-10-02T15:05:04.054-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Investigação'/><title type='text'>Impacto Profundo (Deep Impact) EUA, 120 minutos</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_igi-ziK-Ez8/SX48a5NIFyI/AAAAAAAAAbU/y-56hf8F_34/s1600-h/Impacto+Profundo.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5295736644564424482" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 141px; CURSOR: hand; HEIGHT: 200px" alt="" src="http://4.bp.blogspot.com/_igi-ziK-Ez8/SX48a5NIFyI/AAAAAAAAAbU/y-56hf8F_34/s200/Impacto+Profundo.jpg" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;Elenco: &lt;/strong&gt;Robert Duvall, Tea Leoni, Vanessa Redgrave, Morgan Freeman&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Direção:&lt;/strong&gt; Mimi Leder&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Ano:&lt;/strong&gt; 1998&lt;br /&gt;&lt;br /&gt;Jornalista investiga o que pensa ser o nome de uma amante (ELLE) de alguém do alto escalão do governo norte-americano, mas acaba descobrindo um problema de segurança nacional. Para ela não contar nada antes da hora, é ameaçada pelo Bureau Federal de Investigação – FBI. O grande astro do filme é um asteróide que pode destrir o mundo em poucos minutos.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-5413419322333524581?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/5413419322333524581/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=5413419322333524581' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/5413419322333524581'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/5413419322333524581'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/01/impacto-profundo-deep-impact-eua-120.html' title='Impacto Profundo (Deep Impact) EUA, 120 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_igi-ziK-Ez8/SX48a5NIFyI/AAAAAAAAAbU/y-56hf8F_34/s72-c/Impacto+Profundo.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-4747318585011452973</id><published>2009-01-23T22:15:00.002-02:00</published><updated>2009-10-02T15:04:58.545-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Investigação'/><title type='text'>Testemunha Fatal (Eyewitness) EUA, 102 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_igi-ziK-Ez8/SXpd_ryGF2I/AAAAAAAAAbM/UjlMNnptgoM/s1600-h/Eyewitness.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 99px; height: 181px;" src="http://1.bp.blogspot.com/_igi-ziK-Ez8/SXpd_ryGF2I/AAAAAAAAAbM/UjlMNnptgoM/s200/Eyewitness.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5294647660593420130" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Elenco:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt; Christopher Plummer, James Woods, Willian Hurt, Sigourney Weaver&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Direção:&lt;/b&gt; Peter Yates&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Ano:&lt;/b&gt; 1981&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span"  style=" ;font-family:Arial;"&gt;Um zelador de um edifício é obcecado por uma repórter de tevê. Um dia, no trabalho, ele descobre um corpo de um chinês. Quando a repóter chega no edifício, ele conta sobre o provável assassinato e ela passa a investigá-lo e também desconfia que o zelador falou muito menos do que sabe.&lt;/span&gt;&lt;br /&gt;&lt;/p&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial; mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-Times New Roman&amp;quot;; mso-ansi-language:PT-BR;mso-fareast-language:PT-BR;mso-bidi-language:AR-SAfont-family:&amp;quot;;font-size:10.0pt;"&gt;  &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-4747318585011452973?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/4747318585011452973/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=4747318585011452973' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/4747318585011452973'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/4747318585011452973'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/01/testemunha-fatal-eyewitness-eua-102.html' title='Testemunha Fatal (Eyewitness) EUA, 102 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_igi-ziK-Ez8/SXpd_ryGF2I/AAAAAAAAAbM/UjlMNnptgoM/s72-c/Eyewitness.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-7871986284830574982</id><published>2009-01-23T22:09:00.002-02:00</published><updated>2009-10-02T15:04:07.018-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Investigação'/><title type='text'>O Dossiê Pelicano (The Pelican Brief) EUA, 141 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_igi-ziK-Ez8/SXpdkzPl-2I/AAAAAAAAAbE/mrhCjAfc5ZM/s1600-h/Dossi%C3%AA+Pelicano.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 99px; height: 181px;" src="http://1.bp.blogspot.com/_igi-ziK-Ez8/SXpdkzPl-2I/AAAAAAAAAbE/mrhCjAfc5ZM/s200/Dossi%C3%AA+Pelicano.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5294647198739725154" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Elenco:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt; Julia Roberts, Denzel Washington, Sam Sheppard&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Direção:&lt;/b&gt; Alan J. Pakula&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Ano:&lt;/b&gt; 1993&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span"  style=" ;font-family:Arial;"&gt;Um jornalista tenta descobrir e desmontar uma conspiração no governo norte-americano. Julia Roberts interpreta a autora do dossiê do título, após uma densa pesquisa feita na biblioteca da universidade onde estuda e, vira a principal fonte do repórter. Adaptação quase perfeita do romance John Grisham.&lt;/span&gt;&lt;br /&gt;&lt;/p&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial; mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-Times New Roman&amp;quot;; mso-ansi-language:PT-BR;mso-fareast-language:PT-BR;mso-bidi-language:AR-SAfont-family:&amp;quot;;font-size:10.0pt;"&gt;  &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-7871986284830574982?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/7871986284830574982/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=7871986284830574982' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/7871986284830574982'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/7871986284830574982'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/01/o-dossi-pelicano-pelican-brief-eua-141.html' title='O Dossiê Pelicano (The Pelican Brief) EUA, 141 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_igi-ziK-Ez8/SXpdkzPl-2I/AAAAAAAAAbE/mrhCjAfc5ZM/s72-c/Dossi%C3%AA+Pelicano.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-8225351168995728255</id><published>2009-01-19T22:33:00.002-02:00</published><updated>2009-10-02T15:04:00.177-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Investigação'/><title type='text'>O Dossiê de Odessa (The Odessa File) EUA, 128 minutos</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_igi-ziK-Ez8/SXUcLr6ZawI/AAAAAAAAAa8/TYwxK0VeSKc/s1600-h/Dossi%C3%AA+Odessa.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5293167924135684866" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 99px; CURSOR: hand; HEIGHT: 181px" alt="" src="http://3.bp.blogspot.com/_igi-ziK-Ez8/SXUcLr6ZawI/AAAAAAAAAa8/TYwxK0VeSKc/s200/Dossi%C3%AA+Odessa.jpg" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;Elenco:&lt;/strong&gt; Jon Voight, Maximilian Schell, Maria Schell, Mary Tamm&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Direção:&lt;/strong&gt; Ronald Neame&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Ano:&lt;/strong&gt; 1974&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;Jornalista free lancer xereta um suicídio sem importância, mas por ter feito issi; ganha um presente do chefe de polícia e a reportagem mais importante de sua vida. Passa a noite lendo um dossiê deixado pelo morto e pela manhã sai para investigar os crimes de um ex-comandante de um campo de concentração.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-8225351168995728255?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/8225351168995728255/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=8225351168995728255' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/8225351168995728255'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/8225351168995728255'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/01/o-dossi-de-odessa-odessa-file-eua-128.html' title='O Dossiê de Odessa (The Odessa File) EUA, 128 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_igi-ziK-Ez8/SXUcLr6ZawI/AAAAAAAAAa8/TYwxK0VeSKc/s72-c/Dossi%C3%AA+Odessa.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-5858321710520373976</id><published>2009-01-19T22:31:00.002-02:00</published><updated>2009-10-02T15:03:54.036-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Investigação'/><title type='text'>Adoro Problemas (I Love Trouble) EUA, 123minutos</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_igi-ziK-Ez8/SXUbyREklsI/AAAAAAAAAa0/3ScLssSN6Jw/s1600-h/Adoro+Problemas.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5293167487433873090" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 99px; CURSOR: hand; HEIGHT: 181px" alt="" src="http://1.bp.blogspot.com/_igi-ziK-Ez8/SXUbyREklsI/AAAAAAAAAa0/3ScLssSN6Jw/s200/Adoro+Problemas.jpg" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;Elenco:&lt;/strong&gt; Julia Roberts, Nick Nolte, Robert Loggia, James Rebhorn&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Direção:&lt;/strong&gt; Charles Shyer&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Ano:&lt;/strong&gt; 1994&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;Um jornalista experiente e uma foca produzem grandes furos para os seus jornais sobre um produto que está no leite de uma companhia e poderia causar câncer em quem o consumí-lo. Além do jornalismo, um romance aparece para dar fôlego a uma história fraca. Ambos colocam as vidas em risco por causa das matérias e aprontam em diferentes maneiras para saber mais sobre o caso.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-5858321710520373976?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/5858321710520373976/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=5858321710520373976' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/5858321710520373976'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/5858321710520373976'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/01/adoro-problemas-i-love-trouble-eua.html' title='Adoro Problemas (I Love Trouble) EUA, 123minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_igi-ziK-Ez8/SXUbyREklsI/AAAAAAAAAa0/3ScLssSN6Jw/s72-c/Adoro+Problemas.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-5339811018908816080</id><published>2009-01-15T20:56:00.002-02:00</published><updated>2009-10-02T15:03:47.085-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Investigação'/><title type='text'>O Poder da Imagem (The Image) EUA 91 minutos</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_igi-ziK-Ez8/SW-_uZBpm8I/AAAAAAAAAas/iIzoDXYk8uQ/s1600-h/O+Poder+da+Imagem.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5291658890896317378" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 106px; CURSOR: hand; HEIGHT: 150px" alt="" src="http://4.bp.blogspot.com/_igi-ziK-Ez8/SW-_uZBpm8I/AAAAAAAAAas/iIzoDXYk8uQ/s200/O+Poder+da+Imagem.jpg" border="0" /&gt;&lt;/a&gt; &lt;div&gt;&lt;strong&gt;Elenco:&lt;/strong&gt; Albert Finney, Marsha manson, John Maoney, Kathy Baker&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Direção:&lt;/strong&gt; Peter Werner&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Ano:&lt;/strong&gt; 1989&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;O filme mostra um programa de jornalismo investigativo e as conseqüências de seguir esse lado da profissão. Pode ser considerado uma das inspirações para a criação do programa Aqui &amp;amp; Agora e similares; além de o programa apresentado na película de Werner levar o nome desse conhecido programa investigativo-sensacionalista que existia na tevê brasileira.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-5339811018908816080?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/5339811018908816080/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=5339811018908816080' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/5339811018908816080'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/5339811018908816080'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/01/o-poder-da-imagem-image-eua-91-minutos.html' title='O Poder da Imagem (The Image) EUA 91 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_igi-ziK-Ez8/SW-_uZBpm8I/AAAAAAAAAas/iIzoDXYk8uQ/s72-c/O+Poder+da+Imagem.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-5455438233528964490</id><published>2009-01-15T20:53:00.002-02:00</published><updated>2009-10-02T15:02:48.865-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Investigação'/><title type='text'>Ausência de Malícia (Absence of Malice) EUA, 116 minutos</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_igi-ziK-Ez8/SW--6PIXyhI/AAAAAAAAAak/3Ma0dy95OTg/s1600-h/Aus%C3%AAncia+de+Mal%C3%ADcia.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5291657994886957586" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 99px; CURSOR: hand; HEIGHT: 181px" alt="" src="http://1.bp.blogspot.com/_igi-ziK-Ez8/SW--6PIXyhI/AAAAAAAAAak/3Ma0dy95OTg/s200/Aus%C3%AAncia+de+Mal%C3%ADcia.jpg" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;Elenco:&lt;/strong&gt; Paul Newman, Sally Field, Bob Balaban, Melinda Dillon&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Direção:&lt;/strong&gt; Sidney Pollack&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Ano:&lt;/strong&gt; 1981&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;Será que um homem pode ser condenado, antes que provem o contrário? E se um dia o seu nome e sua vida estiver na principal manchete de um jornal? Esse é o dilema abordado por Pollack sobre o poder da imprensa. Um homem de negócios lê o jornal e descobre que ele é alvo de uma investigação criminal. Ele se encontra com a autora da matéria e, juntos descobrem que a história tinha sido vazada propositamente. Enquanto a vida desse homem fica pendurada, eles procuram pela verdade.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-5455438233528964490?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/5455438233528964490/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=5455438233528964490' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/5455438233528964490'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/5455438233528964490'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/01/ausncia-de-malcia-absence-of-malice-eua.html' title='Ausência de Malícia (Absence of Malice) EUA, 116 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_igi-ziK-Ez8/SW--6PIXyhI/AAAAAAAAAak/3Ma0dy95OTg/s72-c/Aus%C3%AAncia+de+Mal%C3%ADcia.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-2182289922741864099</id><published>2009-01-12T21:05:00.003-02:00</published><updated>2009-10-02T15:02:41.668-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Investigação'/><title type='text'>Síndrome da China (The China Syndrome) EUA, 123 minutos</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_igi-ziK-Ez8/SWvM54XCwHI/AAAAAAAAAZw/8kwc7AfL0GA/s1600-h/S%C3%ADndrome+da+China.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5290547482030424178" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 142px; CURSOR: hand; HEIGHT: 200px" alt="" src="http://3.bp.blogspot.com/_igi-ziK-Ez8/SWvM54XCwHI/AAAAAAAAAZw/8kwc7AfL0GA/s200/S%C3%ADndrome+da+China.jpg" border="0" /&gt;&lt;/a&gt;Elenco: Jane Fonda, Michael Douglas, Jack Lemmon, James HamptonDireção: James BridgeAno: 1979&lt;br /&gt;&lt;br /&gt;Em uma reportagem comum, sobre o funcionamento de uma usina nuclear, repórter e cinegrafista presenciam um acidente que poderia arrasar com a cidade, A divulgação disso na tevê pode causar pânico na população. A rede tem dúvidas em colocar o material no ar, a dúvida fica em como divulgar sem causar problemas para a sociedade.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-2182289922741864099?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/2182289922741864099/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=2182289922741864099' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/2182289922741864099'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/2182289922741864099'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/01/sndrome-da-china-china-syndrome-eua-123.html' title='Síndrome da China (The China Syndrome) EUA, 123 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_igi-ziK-Ez8/SWvM54XCwHI/AAAAAAAAAZw/8kwc7AfL0GA/s72-c/S%C3%ADndrome+da+China.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-5157841027824405973</id><published>2009-01-12T21:01:00.003-02:00</published><updated>2009-10-02T15:02:35.124-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Investigação'/><title type='text'>O Informante (The Insider) EUA</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_igi-ziK-Ez8/SWvMc_v_aXI/AAAAAAAAAZo/Iwk4UfBJfiI/s1600-h/O+Onformante.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5290546985797904754" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 200px; CURSOR: hand; HEIGHT: 133px" alt="" src="http://4.bp.blogspot.com/_igi-ziK-Ez8/SWvMc_v_aXI/AAAAAAAAAZo/Iwk4UfBJfiI/s200/O+Onformante.jpg" border="0" /&gt;&lt;/a&gt;Elenco: Al Pacino, Russell Crowe, Christopher Plummer&lt;br /&gt;Direção: Michael Mann&lt;br /&gt;Ano: 1999&lt;br /&gt;&lt;br /&gt;Um homem é demitido de uma grande indústria de tabaco e resolve contar toda a verdade sobre os males da nicotina (do fumo) para um dos programas mais assistidos na televisão norte-americana, 60 minutos. Baseados em fatos reais com o auxílio do ex-produtor do programa.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-5157841027824405973?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/5157841027824405973/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=5157841027824405973' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/5157841027824405973'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/5157841027824405973'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/01/o-informante-insider-eua.html' title='O Informante (The Insider) EUA'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_igi-ziK-Ez8/SWvMc_v_aXI/AAAAAAAAAZo/Iwk4UfBJfiI/s72-c/O+Onformante.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-1673219911911524332</id><published>2009-01-09T00:18:00.003-02:00</published><updated>2009-10-02T15:02:27.733-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Investigação'/><title type='text'>Todos os Homens do Presidente (All the President's Men) EUA, 138 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_igi-ziK-Ez8/SWa0JCR0L9I/AAAAAAAAAZg/We7necpZT1w/s1600-h/Todos+os+Homens+do+Presidente.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 200px; height: 129px;" src="http://1.bp.blogspot.com/_igi-ziK-Ez8/SWa0JCR0L9I/AAAAAAAAAZg/We7necpZT1w/s200/Todos+os+Homens+do+Presidente.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5289112879716642770" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style=" ;font-family:Arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Elenco:&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style=" ;font-family:Arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; Dustin Hoffman, Robert Redford, Jack Warden, Jason Robarts Jr.&lt;br /&gt;&lt;/span&gt; &lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Direção:&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; Alan J. Pakula&lt;br /&gt;&lt;/span&gt; &lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Ano:&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; 1976&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style=" ;font-family:Arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Reconstrução das investigações de dois jornalistas do Washington Post sobre o escândalo Watergate, que derruba o presidente Richard Nixon. Algumas pessoas dizem que para a reconstrução perfeita do cenário, mobiliário e lixo do jornal foram usados nos filmes.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-1673219911911524332?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/1673219911911524332/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=1673219911911524332' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/1673219911911524332'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/1673219911911524332'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/01/todos-os-homens-do-presidente-all.html' title='Todos os Homens do Presidente (All the President&apos;s Men) EUA, 138 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_igi-ziK-Ez8/SWa0JCR0L9I/AAAAAAAAAZg/We7necpZT1w/s72-c/Todos+os+Homens+do+Presidente.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-750824508451389916</id><published>2009-01-09T00:15:00.002-02:00</published><updated>2009-10-02T15:01:23.544-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cotidiano'/><title type='text'>Profissão: Repórter (Professione: Reporter/Passenger) Itália, 119 minutos</title><content type='html'>&lt;p class="MsoNormal" style="margin-right:14.2pt"&gt;&lt;b style="mso-bidi-font-weight: normal"&gt;&lt;span style=" ;font-family:Arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Elenco:&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style=" ;font-family:Arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; Jack Nicholson e Maria Schneider&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-right:14.2pt"&gt;&lt;b style="mso-bidi-font-weight: normal"&gt;&lt;span style=" ;font-family:Arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Direção:&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style=" ;font-family:Arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; Michelangelo Antonioni&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-right:14.2pt"&gt;&lt;b style="mso-bidi-font-weight: normal"&gt;&lt;span style=" ;font-family:Arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Ano:&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style=" ;font-family:Arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; 1975&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-right:14.2pt"&gt;&lt;span class="Apple-style-span"  style=" ;font-family:Arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;David Locke é o repórter bem sucedido e disputado, seu nome assinado em uma matéria é garantia do sucesso de uma edição. No entanto, a rotina desgastante do trabalho e a monotonia de seu casamento fazem com que ele desista de tudo. Inesperadamente, Locke tem a chance de recomeçar sua vida. Ele aproveita-se da morte repentina de seu vizinho de quarto para assumir a identidade do falecido. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-750824508451389916?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/750824508451389916/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=750824508451389916' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/750824508451389916'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/750824508451389916'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/01/profisso-reprter-professione.html' title='Profissão: Repórter (Professione: Reporter/Passenger) Itália, 119 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-1647485787142461485</id><published>2009-01-06T20:27:00.002-02:00</published><updated>2009-10-02T15:01:15.049-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cotidiano'/><title type='text'>Ainda Serás Minha (Somewhere I'll Find You) EUA, 108 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_igi-ziK-Ez8/SWPbG7z_l3I/AAAAAAAAAZY/AvH0e_vtmD0/s1600-h/Ainda+Ser%C3%A1s+Minha.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 99px; height: 181px;" src="http://4.bp.blogspot.com/_igi-ziK-Ez8/SWPbG7z_l3I/AAAAAAAAAZY/AvH0e_vtmD0/s200/Ainda+Ser%C3%A1s+Minha.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5288311299644561266" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style=" ;font-family:Arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Elenco:&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style=" ;font-family:Arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; Clark Gable, Robert Sterling, Lana Turner&lt;br /&gt;&lt;/span&gt; &lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Direção:&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; Wesley Ruggles&lt;br /&gt;&lt;/span&gt; &lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Ano:&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; 1942&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style=" ;font-family:Arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Uma repórter desaparece na China e outros dois jornalistas, ambos apaixonados por ela, tentam achá-la.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-1647485787142461485?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/1647485787142461485/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=1647485787142461485' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/1647485787142461485'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/1647485787142461485'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/01/ainda-sers-minha-somewhere-ill-find-you.html' title='Ainda Serás Minha (Somewhere I&apos;ll Find You) EUA, 108 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_igi-ziK-Ez8/SWPbG7z_l3I/AAAAAAAAAZY/AvH0e_vtmD0/s72-c/Ainda+Ser%C3%A1s+Minha.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-8405436403924301019</id><published>2009-01-06T20:21:00.003-02:00</published><updated>2009-10-02T15:01:03.996-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cotidiano'/><title type='text'>Jogo de Intrigas (Lady in a Corner) EUA, 97 minutos</title><content type='html'>&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style=";font-family:&amp;quot;;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Elenco: &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style=";font-family:&amp;quot;;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Loretta Yong, Brian Keith&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style=";font-family:&amp;quot;;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Direção:&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style=";font-family:&amp;quot;;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; Peter Levin&lt;br /&gt;&lt;/span&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Ano:&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; 1989&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span"  style=" ;font-family:Arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Uma revista feminina perto da falência é um grande negócio para um milionário sem escrúpulos&lt;/span&gt;. &lt;/span&gt;&lt;br /&gt;&lt;/p&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial; mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-Times New Roman&amp;quot;; mso-ansi-language:PT-BR;mso-fareast-language:PT-BR;mso-bidi-language:AR-SAfont-family:&amp;quot;;font-size:10.0pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-8405436403924301019?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/8405436403924301019/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=8405436403924301019' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/8405436403924301019'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/8405436403924301019'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2009/01/jogo-de-intrigas-lady-in-corner-eua-97.html' title='Jogo de Intrigas (Lady in a Corner) EUA, 97 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-2298671768396350913</id><published>2008-12-30T17:28:00.003-02:00</published><updated>2009-10-02T15:00:55.543-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cotidiano'/><title type='text'>Ele disse, ela disse (He Said, She Said) EUA, 115 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_igi-ziK-Ez8/SVp2pUPSfJI/AAAAAAAAAY4/7_QuPqJ1YzI/s1600-h/Ele+disse,+ela+disse.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 99px; height: 181px;" src="http://4.bp.blogspot.com/_igi-ziK-Ez8/SVp2pUPSfJI/AAAAAAAAAY4/7_QuPqJ1YzI/s320/Ele+disse,+ela+disse.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5285667564852247698" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Elenco:&lt;/b&gt; Kevin Bacon, Elizabeth Perkins, Anthony LaPaglia, Sharon Stone&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Direção:&lt;/b&gt; Marisa Silver, Ken Kwapis&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Ano:&lt;/b&gt; 1991&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial; mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-Times New Roman&amp;quot;; mso-ansi-language:PT-BR;mso-fareast-language:PT-BR;mso-bidi-language:AR-SAfont-family:&amp;quot;;font-size:10.0pt;"&gt;Um casal de jornalistas de uma emissora de tevê contam diferentes versões das mesmas histórias, enquanto apresentam um telejornal. Essas versões nunca coincidem. Agradável comédia de inteligente roteiro.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-2298671768396350913?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/2298671768396350913/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=2298671768396350913' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/2298671768396350913'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/2298671768396350913'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2008/12/ele-disse-ela-disse-he-said-she-said.html' title='Ele disse, ela disse (He Said, She Said) EUA, 115 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_igi-ziK-Ez8/SVp2pUPSfJI/AAAAAAAAAY4/7_QuPqJ1YzI/s72-c/Ele+disse,+ela+disse.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-927296997381209077</id><published>2008-12-30T17:23:00.003-02:00</published><updated>2009-10-02T15:00:25.551-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cotidiano'/><title type='text'>Busca Desesperada (Bump in the Night) EUA, 100 minutos</title><content type='html'>&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style=";font-family:&amp;quot;;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Elenco: &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style=";font-family:&amp;quot;;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Christopher Reeve, Corey Carrier&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style=";font-family:&amp;quot;;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; &lt;/span&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Direção:&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; Karen Arthur&lt;br /&gt;&lt;/span&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Ano:&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; 1991&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;span style=";font-family:&amp;quot;;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Filme sobre uma jornalista alcólatra que de uma hora para outra vira personagem de seus colegas de profissão, ao ter seu filho seqüestrado por um pedófilo e ela resolve ir atrás do garoto. &lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-927296997381209077?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/927296997381209077/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=927296997381209077' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/927296997381209077'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/927296997381209077'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2008/12/busca-desesperada-bump-in-night-eua-100.html' title='Busca Desesperada (Bump in the Night) EUA, 100 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-224075613337292494</id><published>2008-12-29T20:38:00.002-02:00</published><updated>2009-10-02T15:00:12.793-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cotidiano'/><title type='text'>Assassinato por Encomenda (Fletch) EUA, 98 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_igi-ziK-Ez8/SVlRvmZtZkI/AAAAAAAAAYw/ZnsznQZWHj4/s1600-h/Fletch.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 99px; height: 181px;" src="http://3.bp.blogspot.com/_igi-ziK-Ez8/SVlRvmZtZkI/AAAAAAAAAYw/ZnsznQZWHj4/s320/Fletch.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5285345515900069442" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Elenco:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt; Chevy Chase, Dana Wheeler-Nicholson, Joe Don Baker, Tim matherson&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Direção:&lt;/b&gt; Michael Ritchie&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Ano:&lt;/b&gt; 1985&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:12.0pt; mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Um repórter recebe a tarefa de matar um diretor de companhia aérea, a pedido do próprio, que está condenado à morte por uma doença fatal. Sua recompensa seria a matéria e um prêmio Pulitzer e uma recompensa de US$ 50 mil. A pretenção do roteiro e direção é fazer o público lembrar um pouco de Orson Welles em Lady from Sangai e de Hitchcock, nos anos 30.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-224075613337292494?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/224075613337292494/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=224075613337292494' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/224075613337292494'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/224075613337292494'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2008/12/assassinato-por-encomenda-fletch-eua-98.html' title='Assassinato por Encomenda (Fletch) EUA, 98 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_igi-ziK-Ez8/SVlRvmZtZkI/AAAAAAAAAYw/ZnsznQZWHj4/s72-c/Fletch.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-1856934954391573585</id><published>2008-12-29T20:37:00.002-02:00</published><updated>2009-10-02T15:00:03.211-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cotidiano'/><title type='text'>Amor Eletrônico (Desk Set ) EUA, 103 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_igi-ziK-Ez8/SVlRWACSJGI/AAAAAAAAAYo/YYvleWbMTb4/s1600-h/Amor+Eletr%C3%B4nico(DeskSet).jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 99px; height: 181px;" src="http://2.bp.blogspot.com/_igi-ziK-Ez8/SVlRWACSJGI/AAAAAAAAAYo/YYvleWbMTb4/s320/Amor+Eletr%C3%B4nico(DeskSet).jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5285345076104537186" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span lang="EN-US"   style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;;mso-ansi-language:EN-USfont-family:&amp;quot;;font-size:10.0pt;"&gt;Elenco:&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-US"   style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;;mso-ansi-language:EN-USfont-family:&amp;quot;;font-size:10.0pt;"&gt; Katharine Hepburn, Spencer Tracey&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Direção:&lt;/b&gt; Walter Lang&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Ano:&lt;/b&gt; 1957&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial; mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-Times New Roman&amp;quot;; mso-ansi-language:PT-BR;mso-fareast-language:PT-BR;mso-bidi-language:AR-SAfont-family:&amp;quot;;font-size:10.0pt;"&gt;Obra baseada na peça da Broadway Desk Set de Robert Fryer e Lawrence Carr. A televisão ainda estava no começomas já atraía as câmeras de Hollywood: um departamento de pesquisa de audiência de uma rede serve de pano de fundo para um show da dupla Spencer Tracey e Katharine Hepburn, interpretando a chefe do departamento de pesquisa de uma emissora.   &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-1856934954391573585?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/1856934954391573585/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=1856934954391573585' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/1856934954391573585'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/1856934954391573585'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2008/12/amor-eletrnico-desk-set-eua-103-minutos.html' title='Amor Eletrônico (Desk Set ) EUA, 103 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_igi-ziK-Ez8/SVlRWACSJGI/AAAAAAAAAYo/YYvleWbMTb4/s72-c/Amor+Eletr%C3%B4nico(DeskSet).jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-7621419446202674891</id><published>2008-12-29T20:31:00.003-02:00</published><updated>2009-10-02T14:58:05.699-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cotidiano'/><title type='text'>Um Dia Especial (One Fine Day) EUA, 108 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_igi-ziK-Ez8/SVlQF4alM5I/AAAAAAAAAYg/9Yp4_Y5UOS0/s1600-h/Um+Dia+Especial.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 99px; height: 181px;" src="http://4.bp.blogspot.com/_igi-ziK-Ez8/SVlQF4alM5I/AAAAAAAAAYg/9Yp4_Y5UOS0/s320/Um+Dia+Especial.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5285343699669431186" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Elenco:&lt;/b&gt; Michelle Pfeiffer, George Clooney, Charles Durning, Mae Whitman&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Direção:&lt;/b&gt; Michael Hoffman&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Ano:&lt;/b&gt; 1996&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span"  style=" ;font-family:Arial;"&gt;Comédia romântica que mostra 24 horas na vida de um jornalista e uma arquiteta, que além de trabalhar precisam cuidar de seus filhos, quando perdem um dia de aula. Muitas confusões podem acontecer nesse tempo e esse jornalista, um colunista, consegue um furo contra o prefeito de Nova York. A fonte desse furo é a esposa traída do secretário do tesouro da cidade.&lt;/span&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-7621419446202674891?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/7621419446202674891/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=7621419446202674891' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/7621419446202674891'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/7621419446202674891'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2008/12/um-dia-especial-one-fine-day-eua-108.html' title='Um Dia Especial (One Fine Day) EUA, 108 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_igi-ziK-Ez8/SVlQF4alM5I/AAAAAAAAAYg/9Yp4_Y5UOS0/s72-c/Um+Dia+Especial.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-2833468634541628793</id><published>2008-12-29T20:29:00.003-02:00</published><updated>2009-10-02T14:57:38.190-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cotidiano'/><title type='text'>Nos Bastidores da Notícia (Broadcast News) EUA, 132 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_igi-ziK-Ez8/SVlPiQ2ZHlI/AAAAAAAAAYY/iLMP4ut68Nc/s1600-h/Nos+Bastidores+da+Not%C3%ADcia.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 99px; height: 181px;" src="http://2.bp.blogspot.com/_igi-ziK-Ez8/SVlPiQ2ZHlI/AAAAAAAAAYY/iLMP4ut68Nc/s320/Nos+Bastidores+da+Not%C3%ADcia.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5285343087753240146" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Elenco:&lt;/b&gt; Holly Hunter, Albert Brooks, Willian Hurt, Robert Prosky&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Direção:&lt;/b&gt; James L. Brooks&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Ano:&lt;/b&gt; 1987&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span"  style=" ;font-family:Arial;"&gt;Comédia romântica que mostra os bastidores de uma redação de tevê. Existe a editora exigentem o repórter inteligente e o âncora que nunca sabe o que está falando e o que acontece ao seu redor, sua única função é ser bonito; como ele mesmo fala.&lt;/span&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-2833468634541628793?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/2833468634541628793/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=2833468634541628793' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/2833468634541628793'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/2833468634541628793'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2008/12/nos-bastidores-da-notcia-broadcast-news.html' title='Nos Bastidores da Notícia (Broadcast News) EUA, 132 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_igi-ziK-Ez8/SVlPiQ2ZHlI/AAAAAAAAAYY/iLMP4ut68Nc/s72-c/Nos+Bastidores+da+Not%C3%ADcia.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-2843801831492277506</id><published>2008-12-29T20:25:00.003-02:00</published><updated>2009-10-02T14:56:45.182-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cotidiano'/><title type='text'>Superman - O Filme (Superman - The Movie) EUA, 150 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_igi-ziK-Ez8/SVlOufTUbLI/AAAAAAAAAYQ/v6LgJN4r5B4/s1600-h/Superman+-+O+Filme.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 99px; height: 181px;" src="http://1.bp.blogspot.com/_igi-ziK-Ez8/SVlOufTUbLI/AAAAAAAAAYQ/v6LgJN4r5B4/s320/Superman+-+O+Filme.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5285342198279466162" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Elenco:&lt;/b&gt; Marlon Brando, Christopher Reeve, Gene Hackman, Margot Kidder&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Direção:&lt;/b&gt; Richard Donner&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Ano:&lt;/b&gt; 1978&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Continuação&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt; mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;: Superman II, Superman III, Superman IV e Superman V&lt;/span&gt;&lt;br /&gt;&lt;/p&gt;  &lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial; mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-Times New Roman&amp;quot;; mso-ansi-language:PT-BR;mso-fareast-language:PT-BR;mso-bidi-language:AR-SAfont-family:&amp;quot;;font-size:10.0pt;"&gt;A obra de Richard Donner começa com a destruição do planeta Krypton e o início da vida de Clark Kent na Terra, até chegar &lt;st1:personname productid="em Metrópole. Primeiro" st="on"&gt;em Metrópole. Primeiro&lt;/st1:personname&gt; filme da série que traz o Homem de Aço no seu desfarce e o trabalho que exerce no &lt;i style="mso-bidi-font-style:normal"&gt;Daily Planet&lt;/i&gt;. O jornalismo é um elemento secundário, mas em alguns momentos traz uma visão muito interessante da profissão, principalmente quando se trata de Lois Lane. &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-2843801831492277506?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/2843801831492277506/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=2843801831492277506' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/2843801831492277506'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/2843801831492277506'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2008/12/superman-o-filme-superman-movie-eua-150.html' title='Superman - O Filme (Superman - The Movie) EUA, 150 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_igi-ziK-Ez8/SVlOufTUbLI/AAAAAAAAAYQ/v6LgJN4r5B4/s72-c/Superman+-+O+Filme.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-985250258627055079</id><published>2008-12-29T20:22:00.003-02:00</published><updated>2009-10-02T14:55:34.110-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cotidiano'/><title type='text'>Jejum de Amor (His Girl Friday) EUA, 92 minutos</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_igi-ziK-Ez8/SVlON_nb3kI/AAAAAAAAAYI/vXC61HYaX7c/s1600-h/Jejum+de+Amor.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 150px; height: 111px;" src="http://2.bp.blogspot.com/_igi-ziK-Ez8/SVlON_nb3kI/AAAAAAAAAYI/vXC61HYaX7c/s320/Jejum+de+Amor.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5285341640018091586" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"   style="font-size:12.0pt;mso-bidi-font-family:Arial; mso-bidi-Times New Roman&amp;quot;;mso-ansi-language:EN-USfont-family:&amp;quot;;font-size:10.0pt;"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Elenco:&lt;/b&gt; Cary Grant, Rosalind Rusell, Gene Lockheart, Helen Mack&lt;br /&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Direção:&lt;/b&gt; Howard Hawks&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Ano:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt; 1940&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:12.0pt;mso-bidi- font-family:Arial;mso-bidi-Times New Roman&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;Uma divertida batalha entre os sexos. A jornalista Hildy johnson está em uma encruzilhada, não sabe se segue o caminho do matrimônio ou continua com sua carreira. Seu editor e ex-marido, faz de tudo para que ela não se case e continue a trabalhar, Cenas interessantes acontecem em uma sala de imprensa de uma prisão.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-985250258627055079?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/985250258627055079/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=985250258627055079' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/985250258627055079'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/985250258627055079'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2008/12/jejum-de-amor-his-girl-friday-eua-92.html' title='Jejum de Amor (His Girl Friday) EUA, 92 minutos'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_igi-ziK-Ez8/SVlON_nb3kI/AAAAAAAAAYI/vXC61HYaX7c/s72-c/Jejum+de+Amor.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7460945491463185220.post-1587039151872172949</id><published>2007-06-02T00:24:00.001-03:00</published><updated>2008-12-29T19:53:08.845-02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Sobre o blog'/><title type='text'>Jornalismo no Cinema</title><content type='html'>&lt;div&gt;Jornalismo no Cinema foi um dos meus TCCs da graduação. O projeto inicial era de site com filmes onde jornalismo era um elemento importante. Seja como profissão da personagem principal ou a ambientação: redação de jornal, tevê ou rádio. &lt;/div&gt;&lt;br /&gt;&lt;div&gt;Esta é uma pesquisa que pensei não ter mais. Eu a redescobri outro dia ao fazer back up do PC antigo e ver tudo o que prestava para gravar e guardar. Resolvi publicar tudo o que ficou perdido nestes oito anos pós formatura e vou procurar continuar com a pesquisa tanto em obras antigas como no que aconteceu no cinema desde então. &lt;/div&gt;&lt;br /&gt;&lt;div&gt;O que vou publicar é ao estilo de uma ficha técnica com foto ou cartaz. Resenha é um projeto futuro, já que no inicial não possuo nenhuma.&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7460945491463185220-1587039151872172949?l=jornalismonocinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jornalismonocinema.blogspot.com/feeds/1587039151872172949/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7460945491463185220&amp;postID=1587039151872172949' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/1587039151872172949'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7460945491463185220/posts/default/1587039151872172949'/><link rel='alternate' type='text/html' href='http://jornalismonocinema.blogspot.com/2007/06/jornalismo-no-cinema.html' title='Jornalismo no Cinema'/><author><name>Danielle Vieira</name><uri>http://www.blogger.com/profile/03740276944369856149</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
